Synopses & Reviews
From "one of the most impressive voices in poetry today" (
Dissent magazine), a new collection that shines a light on forgotten or obscured parts of the past in order to reconstruct a deeper, truer vision of the present.
Gregory Pardlo described Joshua Bennett's first collection of poetry, The Sobbing School, as an "arresting debut" that was "abounding in tenderness and rich with character," with a "virtuosic kind of code switching." Bennett's new collection, Owed, is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form — from elegy and ode to origin myth — these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew.
Review
“Bennett is one of the most impressive voices in poetry today...he is also quietly building a reputation as one the brightest intellectual and political thinkers of a new generation.” Jesse McCarthy, Dissent Magazine
Review
“Bennett swings with song and exaltation; he swings with resistance and defense. I’m glad to have his amazing collection right now. I will be glad to have it tomorrow.” Terrance Hayes, author of American Sonnets for My Past and Future Assassin
Synopsis
From a 2021 Whiting Award and Guggenheim Fellow recipient, a "rhapsodic, rigorous poetry collection, which pays homage to everyday Black experience in the U.S." (The New Yorker) Gregory Pardlo described Joshua Bennett's first collection of poetry, The Sobbing School, as an arresting debut that was abounding in tenderness and rich with character, with a virtuosic kind of code switching. Bennett's new collection, Owed, is a book with celebration at its center. Its primary concern is how we might mend the relationship between ourselves and the people, spaces, and objects we have been taught to think of as insignificant, as fundamentally unworthy of study, reflection, attention, or care. Spanning the spectrum of genre and form--from elegy and ode to origin myth--these poems elaborate an aesthetics of repair. What's more, they ask that we turn to the songs and sites of the historically denigrated so that we might uncover a new way of being in the world together, one wherein we can truthfully reckon with the brutality of the past and thus imagine the possibilities of our shared, unpredictable present, anew.
About the Author
Poet, performer, and scholar Joshua Bennett is the author of The Sobbing School. He received his PhD in English from Princeton University, and is currently Mellon Assistant Professor of English and Creative Writing at Dartmouth College. His writing has been published in The New York Times Magazine, The Paris Review, Poetry, and elsewhere. His book Being Property Once Myself: Blackness and the End of Man will be published by Harvard University Press in February 2020. His first work of narrative nonfiction, Spoken Word: A Cultural History, is forthcoming from Knopf. He lives in Boston.